Selected Works
Since 2006 my primary creative practice has been performance art incorporating sound, installation and film. I experiment and augment digital and analogue technologies including super 8 film, slide, AI and digital sensors . My work often includes live-editing within the performances.
I studied at Dartington College of Arts, completing a BA Fine Art: Performance in 2009. My work has been regularly funded by Arts Council England and presented nationally & internationally including; Submerge Festival, Arnolfini, Home Live Art, ArtsAdmin, Venice International Performance Festival, Welcome Trust, Profound Sound, Grace Space NYC. In 2026 I was awarded funding by SHED to continue my research in permaculture and creative practice.
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Ringing Bells for Long Grass (film still)
Studio 459, Tomar (Portugal)
July 2026
Excerpts from video work produced as part of funded residency at Studio 459. This work was funded by an initial research award from S.H.E.D (sustainability, health, environment, development). The funding was awarded to support my research into the use of permaculture in the arts and to develop regenerative systems of creative practice.
Sometimes (I feel I'm going blind)
University for the Creative Arts
2024-25
Video work produced following award of internal research fund for 'Tick Trick Typtricts', a practice-based research project exploring neurodiversity, nature & wild spaces.
The project was supported by Screen South, Folkestone Doc Festival and University for the Creative Arts Research Award.
Murmerations; Patterns in Creativity, Neurodivergence & The Natural World (2025)
Working in collaboration with Living Words CIC I was awarded Knowledge Exchange funding by University for the Creative Arts to develop a cultural exchange exploring the intersections of neurodivergence, creativity and the natural world.
The project included workshops delivered by Susanna Howard (Living Words Director) and a co-curated podcast series featuring in-conversations with Hannah Silva (poet & performer), Keren MacLennan (psychologist), Poppy Jackson (artist), Samantha Friedman (psychologist) and Rowana Mitchell (artist & academic).
Nastja Säde Rönkkö
'Survival Guide for a Post-Appocolyptic Child'
2026
Curator and producer of the UK premier of award-winning Finnish video artist Nastja Säde Rönkkö's thought-provoking installation at the historic Fort Burgoyne in Dover. The exhibition was awarded Aesthetica Magazine's top 5 global shows for August 2025.
Produced with funding from The Finnish Institute UK & Ireland, Arts Council England, University for the Creative Arts and support from Live Art Development Agency, Future Foundry and Screen South.
Catherine Hoffmann
'Wormhole of Our Formation'
2026
Curator and producer of Catherine Hoffmann's immersive VR exhibition at the Herbert Read Gallery and subsequent tours.
Touching on themes of crisis in the Anthropocene, mental health, austerity, aging and the environment; the work charts the artists personal journey across the UK during a series of ‘red alert’ storms, whilst falling apart.
Produced with funding from Arts Council England, University for the Creative Arts and Screen South.
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Co-Curator 2011-20
For nearly a decade I Co-Directed and Co-Curated ]ps[. Our curatorial programmes were supported by Arts Council England, The Legacy List, Creative Folkestone, Kent County Council.
This is a selection of works that I co-curated, that exemplify my commitment to producing works that interrogate site-specificity and human relation to the land.
Images:
Top Left - Daniella Valz Gen - (B)Longing
Tope Right - selina bonelli - (Re)collecting (F)ears
Bottom Right - Kira O'Reilly - Untitled (WAKE Festival)
(M)other
Venice International Performance Art Festival
2014
Durational performance installation, with projection mapped multi-screen video installation and surround sound. This work involved live sound editing, live casting of internal body parts and the fabrication of an immersive installation using materials salvaged from the building.